This recording pays tribute to the long standing
friendship between the performers, to composers of the 20th Century, and to
great chamber music.
Donald Sulzen and I have been friends for more than twenty years. We were both
graduate music students at the University of North Texas until we completed our
degrees and our careers led us in separate directions – his to Europe, mine
throughout the United States. We have never performed together — until now.
Before committing to the recording project, Donald and I asked ourselves whether
the music world really needed another CD of flute works already on disc. What
could we say that others had not, and how would we go about choosing the
repertoire? After much discussion and careful consideration of our musical
strengths and interests, we concluded that we could indeed add something of
value to the ever growing collection of recorded music.
We
chose works composed during the 20th Century. Not only does each piece stand on
its own merit, but we believe the collection as a whole displays a range of
compositional style and dramatic diversity that makes for an interesting and
enjoyable recording.
Three days before recording the album, we performed the selections to an
enthusiastic audience at the Richard Strauss Conservatory in Munich’s
Gasteig. A matching concert at The Kosciuszko Foundation in New York City
had been canceled with only an hour’s notice due to the power blackout on August
14, 2003. In concert settings, the repertoire proves almost too ambitious — four
complete sonatas, plus interludes — but the result is a well-balanced and
enjoyable program.
Repertoire
includes: Poulenc's Sonata,
L. Boulanger's Nocturne, Ravel's Pièce en Forme de Habanera, Gieseking's
Sonatine, Martinu's First
Sonata, Hoover's Kokopeli, and Muczynski's Sonata.
